|Hardwick Hall in Derbyshire, England—the|
sixteenth-century's most celebrated glass house.
Centuries later, glass remained a favorite material of Modernist architects such as Mies van der Rohe and Walter Gropius. To them, a house swathed entirely in glass was the ultimate expression of Modernism. In 1950, the architect Philip Johnson built himself exactly such a house, and legions of less talented architects regrettably followed suit.
|Another era's most celebrated glass house—|
that of Modernist architect Philip Johnson,
in New Canaan, Connecticut.
• Patterned glass offers a range of surface textures ranging from fluting, grids, or circles to that good old “cracked ice” effect. Patterning diffuses the light passing through, cutting down on glare and creating an even level of daylighting. Because patterned glass is translucent rather than transparent, it’s especially useful in situations where privacy is desirable, such as in bathroom windows, interior glazed doors or glass partitions.
• Colored glass, used sparingly in combination with plain glass, can produce dazzling highlights created by the sun shining through the glass. During late Victorian times, colored glass was often was used as a decorative border surrounding clear glass window panes, creating interiors awash with a kaleidoscope of colored light. While such uses may still be a bit too flamboyant for contemporary taste, the current traditionalist trend makes colored glass a likely candidate for future window designs.
|Leaded and beveled glass can add lovely|
highlights to a room, though only
only if it's placed where it will
get direct sun.
• Finally, while you’re thinking about looks, don’t forget safety. The Uniform Building Code requires tempered glass—a special heat-treated glass many times stronger than standard window glass—in windows whose sills are within 18” of the floor, as well as in glass doors and sidelights and in many areas of stairwells. Why? You remember that time Aunt Hulga tried to walk through the sliding door. . .