ARCHITEXT by Arrol Gellner
Monday, October 31, 2011

WHY WE QUIT GETTING PLASTERED

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Perhaps the most singular trait of American homes is the hollow, cardboardy thud of our gypsum-board walls.  No one else has anything quite ...
Monday, October 24, 2011

THE QUALITY KILLERS

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A few years back, at the height of the dot-com boom, I  came across a bronze plaque outside the headquarters of one of those instant interne...
Monday, October 17, 2011

AIRPORT ARCHITECTURE: Same Old Approach

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Union Station, Washington DC: In the heyday of rail travel, you really know you were going someplace. (Architects: Daniel Burnham and. Er...
Tuesday, October 11, 2011

MAKING LIGHT

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Next time you head for the bathroom in the middle of the night, consider what the casual act of lighting your way would’ve entailed just ove...
Monday, October 3, 2011

OF ART AND ARCHITECTURE

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A few years years back, just before the real estate bubble burst, a housing tract inspired by mass artist Thomas Kinkade’s bucolic townscape...
Monday, September 26, 2011

STYLE SLEUTHING

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When it comes to identifying home styles, most people know generic terms such as Victorian, Bungalow, and Spanish.  Really pegging the thing...
Monday, September 19, 2011

WEIRD,WACKY, AND WONDERFUL

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Most architectural writing deals with what you might call “legitimate” styles: mass-produced, popular and relatively buttoned-down stuff.  B...
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About The Author

Arrol Gellner
Arrol Gellner is an architect with over thirty years experience in residential, commercial, and institutional architecture. He is the author of three well-regarded books on historic architecture, "Storybook Style", "Red Tile Style", and "Ready to Roll", all published by Penguin/Putnam. Gellner has also written his "Architext" syndicated column for nearly twenty years. The column has been a regular feature in newspapers such as the Chicago Tribune, Los Angeles Times, and San Francisco Chronicle. Gellner is an honors graduate of the College of Environmental Design, University of California at Berkeley.
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